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Transforming the Bradbury Building
Pushing Dasies | Episode: Corpsicle Blade Runner “But when Ridley decided to use the Bradbury, I was against it,” Fancher continues. “He’d come back from seeing the place with the location manager...
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Antonio Gaudí Immortalized on Criterion DVD
One wonders what influence the work of architect Antonio Gaudí (1852 – 1926) may have had if Adolf Loos had not jump started the modernist movement with Ornament and Crime. An essay that arguably...
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Realizing Epic Film Environments: Miniatures
At the dawn of film in 1898, miniatures proved a vital special effects tool in recreating the sinking of the Battleship Maine during the Spanish-American War. The following article offers a look at...
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Perspective
Perspective, the Journal of the Art Directors Guild & Scenic, Title and Graphic Artists has been made available for free download. The magazine offers a fascinating look at the set design and art...
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The Color of Speed Racer
Once upon a time the kaleidoscopic menagerie of colors in Speed Racer were more grounded. The Wachowski Brothers latest directorial effort following The Matrix is an overload on the senses, with live...
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Zion Control
Infinite white spaces have proliferated as a basis for virtual realities, exemplified by the Matrix film trilogy. In the most iconic example, an armory session begins with gun racks rushing toward the...
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A Cross Section with Mark Magazine
Through issue sixteen of the superlative MARK Magazine, Tino Schaedler and Alice Charlotte have offered a commentary on the production design of Hollywood’s latest releases. In an ArTect.net online...
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Book Watch | Orientalists
During the nineteenth century, European and American artists flocked to Eastern cultures, from Morocco to India. Their works fueled the exotic and mythical perception of the Orient with cinematic...
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Immersive Cocoon “2011″
Please maximize and play LOUD! Keir Dullea encounters a mysterious object, in a scenario reminiscent of the penultimate scene from Stanley Kubrick’s 2001: A Space Odyssey that he appeared in over...
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Making a MARK
Over the past few years I’ve become a regular contributor to MARK, the avant-garde architecture magazine from the publishers of FRAME. These contributions – commentaries on architecture in film and...
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